Bremmer builds this geometric modern abstract pattern by dividing the space into several rectangular panels of different sizes. Thick white borders separate these sections, creating a grid-like structure. The eye moves across large rectangles in the bottom left and middle right, then follows narrow, smaller panels that line the edges of the frame. The arrangement uses a flat perspective where circles, triangles, and lines overlap one another to create a sense of depth without using three-dimensional shading.

The color scheme relies on a specific group of red, teal, yellow, black, and light grey tones. Each shape features a visible grainy texture rather than a smooth, solid finish. Thin black lines cut across the larger shapes, while small triangles and circles are tucked into the corners of the smaller panels. These overlapping elements create a dense, busy appearance within the individual rectangles, contrasting with the clean, empty white lines that define the overall layout.