The composition is built on a diagonal that leads from the large, detailed buildings on the left toward the smaller structures on the horizon. From an elevated viewpoint, the eye follows the wide waterway as it occupies the center and right side of the frame. The buildings in the foreground show rows of arched windows and balconies, while the domed structure mentioned by Melanie Viola appears further back, where the water meets the sky. The colors are kept to a soft range of pale pinks, off-whites, and muted greens.

In the lower right corner, a single person rows a long, narrow boat, appearing small against the scale of the surrounding architecture. Other boats are scattered across the water, though they lack fine detail. The lack of bright colors or sharp contrasts gives the entire scene a consistent, faded appearance. The shapes of the buildings and the curve of the waterway create a sense of distance between the viewer and the far-off church in the Dorsoduro district.