Tarini began this series with a digital replacement, but the true breakthrough arrived when he introduced a striped masking effect. By alternating between the photographic realism of Eastwood and the thick, rhythmic oil strokes of Van Gogh, he achieves a visual friction where the two mediums collide rather than blend. The result is a composite face that feels both familiar and alien, echoing the fractured perspectives found in early cubist experiments.

The process relies heavily on the meticulous selection of source material to ensure the cinematic lighting matches the painted environment. Once the right alignment is found, Tarini works primarily with layers and minimal editing to preserve the integrity of both the black-and-white photography and the vibrant palette of the original canvas. It is a calculated fusion that respects the weight of the old masters while injecting the sharp, graphic energy of modern pop culture.