In this landscape orientation, May focuses on the intricate relationship between the people of Dhaka and the massive machinery of the railway. The composition highlights how the urban landscape evolves around these tracks, turning a transit corridor into a lived-in environment where the train feels less like a visitor and more like a permanent fixture of the neighborhood.

The image explores the complex transportation networks that define Southeast Asian cities, emphasizing the sheer scale of human movement. By framing the scene with a classic touch, May invites a study of dynamic urban geometries and the way local communities navigate the dense, overlapping layers of a city in constant motion.