In this piece, the artist explores the verticality of northern architecture through a layered application of media. The use of acrylic provides a tactile foundation for the buildings, while watercolour bleeds across the paper to suggest the shifting light and mist common to Scandinavian vistas. By stripping away granular detail, the work focuses on the collective shape of the city, turning a familiar skyline into a series of emotive, interlocking planes.

The portrait orientation emphasizes the height of the spires and gables, drawing the eye upward through a palette that feels both grounded and ethereal. Rather than a literal map of a street, the composition functions as a memory of a place, where the boundaries between the built environment and the natural elements are intentionally blurred. It is a study of how a city occupies space, defined by color and gesture rather than strict geometry.