Pierre-Joseph Redouté & Henry Joseph Redouté – Passiflore Ailée (1827)

William Morrin

Pierre-Joseph Redouté and Henry Joseph Redouté document the winged passionflower with a clarity that bridges the gap between rigorous scientific observation and the delicate grace of a living specimen. This 1827 illustration captures the intricate architecture of the Passiflora, rendering its complex filaments and broad leaves with a quiet, disciplined vibrance.

Pierre-Joseph Redouté & Henry Joseph Redouté – Passiflore Ailée (1827) — framed, leaning against the wall

Styling images show a frame. Print sold unframed.

William Morrin

Pierre-Joseph Redouté & Henry Joseph Redouté – Passiflore Ailée (1827)

Pierre-Joseph Redouté and Henry Joseph Redouté document the winged passionflower with a clarity that bridges the gap between rigorous scientific observation and the delicate grace of a living specimen. This 1827 illustration captures the intricate architecture of the Passiflora, rendering its complex filaments and broad leaves with a quiet, disciplined vibrance.

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£41.99
WALL ELEVATION

28 × 35 cm · about ⅛ the width of a 3-seat sofa

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Pierre-Joseph Redouté & Henry Joseph Redouté – Passiflore Ailée (1827)

William Morrin

Art Analysis

From the artist, William Morrin

Botanical illustration created in 1827 by Pierre-Joseph Redouté and Henry Joseph Redouté, depicting the winged passionflower (Passiflora). A refined example of classical botanical art with precise scientific detail and elegant composition.

The disciplined geometry of a flowering winged passionflower

This botanical study serves as a masterclass in precision, where the Redouté brothers apply their refined technique to the winged passionflower. The composition balances the heavy, waxy texture of the foliage against the ethereal, radial symmetry of the bloom, ensuring every tendril and vein is accounted for. It is a work of deep looking, translating the physical reality of the plant into a rhythmic arrangement of line and pigment.

Set within a classic frame, the illustration maintains a vintage character that emphasizes the historical importance of natural history art. The use of color is deliberate and rich, highlighting the contrast between the deep greens of the structural leaves and the vivid, energetic hues of the flower’s center. It is an honest portrayal of nature’s complexity, favoring anatomical accuracy over mere ornamentation.

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About the Artist

William Morrin

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