Pierre-Joseph Redouté & Henry Joseph Redouté – Passiflore Ailée (1827)
William MorrinPierre-Joseph Redouté and Henry Joseph Redouté document the winged passionflower with a clarity that bridges the gap between rigorous scientific observation and the delicate grace of a living specimen. This 1827 illustration captures the intricate architecture of the Passiflora, rendering its complex filaments and broad leaves with a quiet, disciplined vibrance.

Styling images show a frame. Print sold unframed.
Pierre-Joseph Redouté & Henry Joseph Redouté – Passiflore Ailée (1827)
Pierre-Joseph Redouté and Henry Joseph Redouté document the winged passionflower with a clarity that bridges the gap between rigorous scientific observation and the delicate grace of a living specimen. This 1827 illustration captures the intricate architecture of the Passiflora, rendering its complex filaments and broad leaves with a quiet, disciplined vibrance.
28 × 35 cm · about ⅛ the width of a 3-seat sofa
A meaningful share of this purchase goes directly to William Morrin.
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Art Analysis
From the artist, William Morrin
The disciplined geometry of a flowering winged passionflower
This botanical study serves as a masterclass in precision, where the Redouté brothers apply their refined technique to the winged passionflower. The composition balances the heavy, waxy texture of the foliage against the ethereal, radial symmetry of the bloom, ensuring every tendril and vein is accounted for. It is a work of deep looking, translating the physical reality of the plant into a rhythmic arrangement of line and pigment.
Set within a classic frame, the illustration maintains a vintage character that emphasizes the historical importance of natural history art. The use of color is deliberate and rich, highlighting the contrast between the deep greens of the structural leaves and the vivid, energetic hues of the flower’s center. It is an honest portrayal of nature’s complexity, favoring anatomical accuracy over mere ornamentation.
The artwork employs meticulous detail to document the specific anatomical features of the Passiflora for botanical study.
This piece follows the tradition of documenting the natural world through hand-drawn clarity and balanced composition.
Strategic use of color and shadow creates a three-dimensional effect that makes the flat illustration feel sculptural.
The 1827 origin and formal presentation reflect the golden age of botanical art and its enduring visual language.
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