In this work, Solomoniuk focuses on the interplay of rounded forms that seem to drift and anchor one another within the frame. The blue palette suggests a quiet, subterranean or aquatic depth, where each shape carries its own unique density and curve. By stripping away representational detail, the artist invites a focus on the pure relationship between negative space and saturated pigment.

The vertical orientation emphasizes a sense of stacking and balance, guiding the eye from the base of the composition toward the lighter, more airy arrangements at the top. There is a tactile quality to the edges of these shapes, suggesting a process that values the slow, deliberate placement of color to build a cohesive visual ecosystem.