Kreise o.T. 2
MetronMetron constructs visual rhythm through the precise layering of vector shapes and a bold, saturated palette. This piece uses overlapping circles to create a sense of depth and movement, echoing the structured playfulness of mid-century graphic design.

Kreise o.T. 2
Metron constructs visual rhythm through the precise layering of vector shapes and a bold, saturated palette. This piece uses overlapping circles to create a sense of depth and movement, echoing the structured playfulness of mid-century graphic design.
28 × 35 cm · about ⅙ the width of a 3-seat sofa
A meaningful share of this purchase goes directly to Metron.
Every Arthaus piece supports a living artist.
Art Analysis
A Rhythmic Intersection of Saturated Geometric Circles
Metron utilizes vector techniques to create clean, sharp lines that define the circular forms. The interaction of vibrant colors suggests a fusion of pop art sensibilities and modern abstract traditions. The portrait orientation focuses the viewer's eye on the central stack of shapes, where the overlap creates new shades and a sense of transparency, giving the digital medium a tactile, layered quality.
While the execution is digital, the aesthetic leans into a retro graphic style reminiscent of classic poster art. The use of geometric shapes serves as a vehicle for human expression, turning mathematical precision into something that feels warm and energetic. By balancing saturated tones with structured geometry, the artist explores how simple forms can evoke a complex sense of balance and joy.
The artist utilizes refined angular shapes and faceted forms to build the dog's likeness from a series of sharp, interlocking planes.
The work adopts the bold colors and graphic repetition characteristic of mid-century mass-media art to celebrate a modern sporting hero.
The artwork utilizes sharp, scalable lines to define the intricate layers and panels of the Air Jordan silhouette.
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Museum-grade materials
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Complete the Wall
This piece is part of 2 walls our team put together — each shown with the works chosen to sit beside it.









