In the dialogue Meno, Socrates spends a great deal of time patronizing his audience while explaining how to double the area of a square. d/dx art suggests that this philosophical exercise is better served by a few lines drawn in the sand than by a dense thicket of words. By constructing a new square based on the diagonal of the original, the artist provides a visual solution to a classic geometric puzzle, favoring the immediacy of a print over the exhaustion of rhetoric.

The work moves away from dry academic theory into the realm of vibrant abstract art, utilizing pure shapes and polyhedral forms to create a sense of structural harmony. It is a graphic exploration of space where color variation and balance take center stage. Instead of a lecture, the viewer is invited to witness a fusion of artistic style and mathematical precision, where the logic of the line becomes a decorative element for the modern wall.