In BM2, Mckay utilizes a deliberate mix of mediums to bridge the gap between public walls and private galleries. The spray paint introduces a soft, atmospheric haze and rapid-fire linework, while the acrylic provides a grounded weight to the composition, allowing for a play between transparency and solid form. The portrait orientation focuses the viewer's eye on the verticality of the gestures, suggesting a human presence or an architectural fragment salvaged from a city landscape.

The work thrives on the tension between the chaotic origins of street art and the intentionality of a studio canvas. By layering these materials, Mckay creates a surface that feels weathered yet intentional, where every drip and overspray contributes to a larger narrative of urban decay and renewal. It is a study in how movement can be frozen in pigment, offering a gritty, honest look at modern texture.