Abstract Shapes 16
Lisa SolomoniukLisa Solomoniuk builds a visual language through the interplay of geometry and negative space, focusing on the weight and balance of singular forms. In Abstract Shapes 16, she explores how non-representational figures occupy a vertical plane to create a sense of quiet, structural harmony.
Abstract Shapes 16
Lisa Solomoniuk builds a visual language through the interplay of geometry and negative space, focusing on the weight and balance of singular forms. In Abstract Shapes 16, she explores how non-representational figures occupy a vertical plane to create a sense of quiet, structural harmony.
28 × 35 cm · about ⅙ the width of a 3-seat sofa
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Abstract Shapes 16
Lisa Solomoniuk
Art Analysis
The rhythmic balance of vertical geometric forms
This piece utilizes a portrait orientation to emphasize the upward momentum and stacking of its central elements. By stripping away narrative detail, the work directs the eye toward the specific relationships between edges and curves, inviting a study of how simple forms can command a space through their placement and scale.
The composition relies on a deliberate arrangement that feels both grounded and light. The vertical alignment allows the viewer to trace the silhouette of the shapes as they interact with the surrounding void, highlighting a focus on formal purity and the rhythmic qualities of abstract design.
The portrait orientation focuses the viewer's attention on the closeness of the subjects, heightening the sense of a private world.
The artist uses simplified forms and a non-literal palette to convey the feeling of a city rather than its exact likeness.
A sense of equilibrium is achieved through the careful distribution of visual weight within the upright frame.
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