This landscape orientation work reimagines the traditional world map as a record of science fiction history. By plotting the landing sites of alien visitors as depicted in film, Milan reveals the patterns of our cinematic fixations and the specific cities that Hollywood has repeatedly chosen as the stage for first contact. The composition balances the familiar outlines of the continents with a dense network of cultural data points, spanning the entire breadth of the sci-fi genre.

Beyond its function as a reference for movie buffs, the piece explores how pop culture icons have shaped our mental image of the globe. It invites a closer look at the clusters of activity, contrasting the high-traffic zones of major film franchises with the isolated arrivals found in forgotten cinema. Encased in a classic frame, the map turns speculative fiction into a tangible, geographic history of how we envision our place in the universe.