In this work, Goggin utilizes the vertical constraints of the portrait format to stack layers of urban history and political urgency. The composition mimics the weathered surfaces of city walls, where posters are torn and pasted over one another, creating a dense thicket of typography and raw color that mirrors the chaotic spirit of a public demonstration.

The piece avoids a singular focal point, instead inviting the eye to wander through a landscape of fragmented messages and bold graphic interventions. By leaning into the physical nature of the collage medium, Goggin translates the fleeting noise of a protest into a permanent, tactile record of civic energy and collective movement.