This piece centers on the physical quality of paper as both a medium and a subject. By focusing on the irregular silhouettes of torn edges, the work highlights the contrast between intentional design and the organic unpredictability of a rip. The vertical orientation guides the eye through a stack of shapes that feel grounded yet light, emphasizing the interplay of shadow and depth created by overlapping layers.

There is a rhythmic quality to the way the components occupy the frame, suggesting a process of deconstruction and reassembly. The composition avoids rigid symmetry, opting instead for a structural honesty that celebrates the texture and weight of the materials. It is an exercise in minimalism that relies on the subtle shifts of light across matte surfaces to create a sense of quiet, architectural space.