That Summer Feeling II
Branka KodžomanBranka Kodžoman paints the quietude of the coast through a lens of soft light and intentional simplicity. This piece captures a solitary figure anchored in the warmth of the sand, where the brim of a hat creates a private sanctuary against the midday sun.

That Summer Feeling II
Branka Kodžoman paints the quietude of the coast through a lens of soft light and intentional simplicity. This piece captures a solitary figure anchored in the warmth of the sand, where the brim of a hat creates a private sanctuary against the midday sun.
28 × 35 cm · about ⅙ the width of a 3-seat sofa
A meaningful share of this purchase goes directly to Branka Kodžoman.
Every Arthaus piece supports a living artist.
Art Analysis
From the artist, Branka Kodžoman
A quiet sanctuary found in the midday sun
The composition centers on a woman in repose, her form defined by gentle brush textures and a palette of muted, sandy tones. By obscuring the subject's face beneath a wide-brim hat, Kodžoman shifts the focus from individual identity to the universal sensation of heat and stillness. The minimal details invite a sense of calm, allowing the viewer to feel the weight of the sunlight and the soft grit of the beach environment.
Working within a modern illustrative style, the artist balances the structure of the figure against the expansive, open space of the shore. The tactile quality of the paint adds a layer of physical depth to the scene, grounding the ethereal light in a tangible, earthy reality. It is a study of leisure that feels both intimate and expansive, capturing a fleeting seasonal mood through steady, deliberate marks.
The artist strips away detail to focus on the essential geometry and mood of the human face.
The landscape orientation provides a wide view that mimics the open, calming perspective of a beach horizon.
The wide-brimmed hat serves as a structural element that defines the play of light across the subject's face and shoulders.
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This piece is part of a wall our team put together — shown with the works chosen to sit beside it.








