In this portrait-oriented composition, the circle is treated not just as a shape, but as a vessel for physical expression. Solomoniuk applies pigment with a palpable thickness, creating a topographical map of blues that shift in tone as light catches the raised edges of the paint. The arrangement of these circular forms suggests a sense of order that is softened by the visible hand of the artist, where every mark feels deliberate and grounded.

The verticality of the piece emphasizes the stacking and nesting of these shapes, drawing the viewer’s gaze upward through a sea of cerulean and indigo. By stripping away representational detail, the focus remains entirely on the interplay of color and relief. It is a study in how a simple motif, when repeated with varying intensity, can evoke a feeling of calm, steady movement.