In this piece, the artist explores the tension between the organic shape of a portrait and the rigid, geometric surfaces of a disco ball. The composition focuses on how light hits individual mirrored tiles, creating a sense of movement even within a static pose. By replacing skin with glass, the work invites the viewer to see the subject not as a solid person, but as a collection of reflected environments.

The vertical orientation emphasizes the stature of the figure, allowing the cascading light patterns to draw the eye from the crown of the head down through the shoulders. There is a distinct tactile quality to the arrangement of the facets, suggesting a mosaic-like construction that feels both fragile and celebratory. It is a study of how we project ourselves into a space and how that space, in turn, reflects back upon us.