Lerson utilizes the collage medium to explore the intersection of high-performance vehicles and the weathered textures of urban life. By juxtaposing retro automotive silhouettes against a backdrop that suggests the cultural tapestry of Havana and American western motifs, the work examines how consumer commercial culture shapes our collective memory of travel. The composition functions as a surreal marine tableau where metal and asphalt meet the fluid boundaries of memory and adventure.

The artist demonstrates a high level of technical skills proficiency, layering visual effects techniques to create a sense of depth within the portrait orientation. Through these visual contrasts in urban environments, the piece reflects on societal attitudes towards sociopolitical reforms and the evolution of artistic expression. It is a study of movement—capturing both the physical speed of a car and the slower, more complex shifts in cultural dynamics.