Shadow of Scratches 2
Yuli SaputraYuli Saputra builds depth through a rhythmic layering of earth tones, where every mark feels like a physical excavation of the digital canvas. This piece finds its power in the interplay between dark recesses and the tactile quality of its surface, inviting a slow, meditative gaze.

Shadow of Scratches 2
Yuli Saputra builds depth through a rhythmic layering of earth tones, where every mark feels like a physical excavation of the digital canvas. This piece finds its power in the interplay between dark recesses and the tactile quality of its surface, inviting a slow, meditative gaze.
28 × 35 cm · about ⅛ the width of a 3-seat sofa
A meaningful share of this purchase goes directly to Yuli Saputra.
Every Arthaus piece supports a living artist.
Art Analysis
The tactile mystery of layered shadows and earthen marks.
In this work, Saputra explores the tension between light and surface through a palette of rich, varied browns. The composition relies on the deliberate application of shadow effects that pull the viewer into the depths of the frame, making the digital medium feel surprisingly organic and weathered. It is a study of how color can mimic the weight of physical materials, creating a sense of history within a modern space.
The focal point remains the intricate network of scratches that crisscross the image. These marks are not merely decorative; they provide a rugged texture that contrasts with the soft gradients of the background. By focusing on these linear interruptions, the artist creates a mysterious visual language that feels both ancient and fresh, grounded by a classic frame that anchors the fluid, abstract forms.
Soft, grainy details are layered throughout the composition to give the flat silhouettes a sense of physical presence.
A focus on brown tonalities and organic shapes creates a grounded, natural aesthetic that aligns with minimalist interior traditions.
Thin, purposeful lines act as visual conduits that suggest the direction and flow of water between larger masses.
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