Seated Woman No 1
Hans TileyHans Tiley distills the physical weight of life drawing into a digital landscape of soft, geometric intersections. This piece captures the human form through a palette of pink and purple, rendering a moment of quiet, internal stillness.
Seated Woman No 1
Hans Tiley distills the physical weight of life drawing into a digital landscape of soft, geometric intersections. This piece captures the human form through a palette of pink and purple, rendering a moment of quiet, internal stillness.
28 × 35 cm · about ⅙ the width of a 3-seat sofa
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Seated Woman No 1
Hans Tiley
Art Analysis
A quiet meditation on the geometry of the human form
Tiley begins with the raw observation of the human figure, then strips away the literal to find a rhythmic, abstract language. The composition relies on the interplay of curved lines and blocked colors, where the suggestion of anatomy—from the curve of a profile to the weight of a seated pose—emerges through a deliberate, graphic economy.
Bathed in shades of pink and purple, the work moves beyond mere representation to explore an introspective journey. There is an intimate tenderness in how the shapes overlap, inviting the viewer into a serene stillness that feels both grounded in the body and defined by its elemental aesthetics.
The artist uses nested square modules to build the organic structure of the skull, blending mathematical precision with biological form.
A palette of soft pinks and deep purples creates a space for quiet reflection and internal focus.
The work explores how the physical arrangement of the body communicates a sense of calm and presence.
Tiley transposes the immediacy of traditional figure studies into a digital medium, creating a bridge between classical observation and modern graphic tools.
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This piece is part of a wall our team put together — shown with the works chosen to sit beside it.
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