Miro May focuses on a rickshaw driver in Bangladesh, framing the subject within the dense visual layers of Chittagong’s streets. The photograph utilizes a landscape orientation to capture the interplay between the individual and the surrounding urban ecological tapestry, where textile crafts and graphic elements collide. The presence of maps within the frame suggests a narrative of navigation, positioning the driver as a central figure in the city's geographic entity.

There is an artisanal quality to the scene, highlighting the craftsmanship of the rickshaw alongside the vibrant graphic design artwork of the urban backdrop. By observing the driver within this rich cultural fusion, May offers a direct look at the intersection of traditional labor and the evolving city. The composition avoids artifice, inviting a close look at the quiet dignity found in the daily rhythms of transportation.