In this 1922 composition, the fir tree is stripped of its literal needles and branches, reborn instead as a series of interlocking shapes and balanced tones. The work showcases a playful approach to abstraction, where the natural world provides a blueprint for a deeper exploration of color and form. Each segment contributes to a sense of musical movement, inviting the viewer to look past the surface of nature and into its underlying mathematical grace.

This portrait-oriented painting balances a vibrant palette with a disciplined arrangement of lines. By prioritizing symbolic interpretation over realistic detail, the artist creates a space where color becomes the primary language. The result is a quiet yet energetic study of how a simple subject can be reimagined through a modern lens, grounded in a classic frame that anchors its experimental spirit.