In this study, Böhmer focuses on the interplay of shadow and surface, treating paper as a structural medium rather than a flat plane. The vertical alignment emphasizes a sense of deliberate construction, drawing the eye through a series of overlapping shapes that suggest depth and physical presence. Each element feels considered, contributing to a visual language that values the raw honesty of paper and the precision of its arrangement.

The work functions as an investigation into how simple materials can occupy space with such quiet authority. By stripping away unnecessary ornamentation, the artist allows the subtle variations in tone and the crispness of the lines to dictate the mood. It is an exercise in restraint, where the portrait format serves to ground the abstract forms, making the experimental nature of the study feel both stable and intentional.