This piece functions as a focused exploration of tactile geometry. By utilizing a portrait orientation, Böhmer emphasizes the verticality of her composition, allowing the viewer to trace the intersections of shadow and light as they play across simulated paper surfaces. The work relies on a restrained palette to draw attention to the subtle shifts in tone that define each overlapping layer.

The arrangement suggests a physical process of folding and placing, where the negative space is just as vital as the forms themselves. There is a rhythmic quality to the way the shapes interact, grounding the abstract concept in a tangible, paper-like reality. It is a study of precision and the quiet beauty found in simple, deliberate arrangements.