Paper Studies 19
Mareike BöhmerMareike Böhmer constructs Paper Studies 19 through a methodical exploration of shape and texture, layering geometric forms to find a quiet balance within the frame. This portrait-oriented composition treats paper as a structural medium, where subtle shifts in tone and edge define a grounded, architectural space.

Paper Studies 19
Mareike Böhmer constructs Paper Studies 19 through a methodical exploration of shape and texture, layering geometric forms to find a quiet balance within the frame. This portrait-oriented composition treats paper as a structural medium, where subtle shifts in tone and edge define a grounded, architectural space.
28 × 35 cm · about ⅙ the width of a 3-seat sofa
A meaningful share of this purchase goes directly to Mareike Böhmer.
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Art Analysis
A rhythmic exploration of geometric layers and tactile form
In Paper Studies 19, Böhmer focuses on the tactile relationship between overlapping elements. The work utilizes a vertical orientation to stack and align forms, creating a sense of deliberate weight and stability. By emphasizing the physical qualities of her materials, the artist draws attention to the interplay of light and shadow that occurs when flat planes meet, resulting in a composition that feels both sturdy and light.
The piece avoids unnecessary ornamentation, instead finding its strength in the precision of its arrangement. Each segment is placed with an eye for proportion, allowing the negative space to function as a vital component of the overall structure. The result is a study in restraint, where the simplicity of the materials invites a closer look at the nuances of texture and form.
The artist uses simplified forms and a non-literal palette to convey the feeling of a city rather than its exact likeness.
The portrait orientation focuses the viewer's attention on the closeness of the subjects, heightening the sense of a private world.
The work uses a limited palette and simple materials to investigate the fundamental properties of volume and space.
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