Last Summer 12
Mareike BöhmerMareike Böhmer constructs visual memories through a balance of organic texture and geometric clarity. In Last Summer 12, she captures the fading warmth of a season using a portrait orientation that emphasizes the vertical growth and layered depth of her abstract forms.

Last Summer 12
Mareike Böhmer constructs visual memories through a balance of organic texture and geometric clarity. In Last Summer 12, she captures the fading warmth of a season using a portrait orientation that emphasizes the vertical growth and layered depth of her abstract forms.
28 × 35 cm · about ⅙ the width of a 3-seat sofa
A meaningful share of this purchase goes directly to Mareike Böhmer.
Every Arthaus piece supports a living artist.
Art Analysis
A vertical study in seasonal light and layered geometry
This piece functions as a rhythmic exploration of color and shape, where soft, earth-toned gradients meet sharp, intentional lines. The composition draws the eye upward, utilizing its vertical format to stack elements like strata in a landscape, suggesting a sense of quiet accumulation and the passage of time.
Böhmer’s approach relies on the interplay between structured design and the fluid unpredictability of her palette. By focusing on the structural integrity of the portrait frame, she creates a contained space where light seems to filter through layers of digital or tactile media, evoking the specific, hazy atmosphere of a late August afternoon.
The portrait orientation focuses the viewer's attention on the closeness of the subjects, heightening the sense of a private world.
The artist uses simplified forms and a non-literal palette to convey the feeling of a city rather than its exact likeness.
The use of warm tones and leaf-strewn textures evokes the specific, crisp feeling of a forest in late autumn.
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