In this 2019 acrylic work, Andersson explores the verticality of the forest through a focused, portrait-oriented lens. The composition moves away from literal representation, instead using the medium of acrylic on canvas to build a tactile surface where the suggestion of a tree—the 'Kuusi' or spruce—emerges from a series of deliberate, abstract marks. The small scale of the canvas, measuring 33 by 41 centimeters, creates an intimate encounter with the artist's process, inviting a close reading of how light and shadow play across the painted textures.

The piece functions as a bridge between traditional landscape and modern abstraction. By isolating botanical elements against a structured background, Andersson captures the rhythmic patterns found in the wild. The work avoids the vastness of a panoramic view, opting instead for a grounded, singular observation that emphasizes the physical presence of the paint and the organic geometry of the woods.