Infinite Scratch
Yuli SaputraYuli Saputra builds a visual language through the repetitive, rhythmic motion of digital mark-making, finding depth in the sheer density of a line. This piece explores the friction between order and chaos, where every individual scratch contributes to a larger, vibrating field of energy.

Infinite Scratch
Yuli Saputra builds a visual language through the repetitive, rhythmic motion of digital mark-making, finding depth in the sheer density of a line. This piece explores the friction between order and chaos, where every individual scratch contributes to a larger, vibrating field of energy.
28 × 35 cm · about ⅙ the width of a 3-seat sofa
A meaningful share of this purchase goes directly to Yuli Saputra.
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Art Analysis
From the artist, Yuli Saputra
The rhythmic resonance of a thousand digital marks.
In this digital composition, Saputra focuses on the tactile quality of the line, layering countless marks to build a surface that feels physically carved. The vertical orientation emphasizes the downward pull of these textures, creating a sense of falling or deep immersion within the abstract field. By focusing on the 'scratch' as a primary unit of expression, the artist reveals how simple, sharp movements can coalesce into a complex and moving visual landscape.
Set within a classic frame, the work bridges the gap between modern digital techniques and traditional presentation. The Scandi-inspired restraint in the palette allows the viewer to focus entirely on the kinetic energy of the textures. It is a study in persistence, where the accumulation of small, deliberate gestures results in a powerful exploration of infinite detail and movement.
The artist uses the physical properties of acrylics to build a surface that mimics the rugged, uneven qualities of natural terrain.
The clean execution and sharp edges reflect the unique capabilities of digital tools to create flawless, graphic compositions.
The composition reflects a Scandi influence, prioritizing functional beauty and a clean, organized visual language.
The artwork focuses on the act of making a mark as the primary subject, reflecting a current approach to non-representational form.
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