Infinite Scratch
Yuli SaputraYuli Saputra builds a visual language through the repetitive, rhythmic motion of digital mark-making, finding depth in the sheer density of a line. This piece explores the friction between order and chaos, where every individual scratch contributes to a larger, vibrating field of energy.

Infinite Scratch
Yuli Saputra builds a visual language through the repetitive, rhythmic motion of digital mark-making, finding depth in the sheer density of a line. This piece explores the friction between order and chaos, where every individual scratch contributes to a larger, vibrating field of energy.
28 × 35 cm · about ⅙ the width of a 3-seat sofa
A meaningful share of this purchase goes directly to Yuli Saputra.
Every Arthaus piece supports a living artist.
Art Analysis
The rhythmic resonance of a thousand digital marks.
In this digital composition, Saputra focuses on the tactile quality of the line, layering countless marks to build a surface that feels physically carved. The vertical orientation emphasizes the downward pull of these textures, creating a sense of falling or deep immersion within the abstract field. By focusing on the 'scratch' as a primary unit of expression, the artist reveals how simple, sharp movements can coalesce into a complex and moving visual landscape.
Set within a classic frame, the work bridges the gap between modern digital techniques and traditional presentation. The Scandi-inspired restraint in the palette allows the viewer to focus entirely on the kinetic energy of the textures. It is a study in persistence, where the accumulation of small, deliberate gestures results in a powerful exploration of infinite detail and movement.
The piece utilizes heavy impasto and stippled patterns to create a multi-dimensional surface that transcends traditional landscape painting.
The clean execution and refined focal point demonstrate a mastery of modern digital tools to simulate traditional media.
The composition reflects a Scandi aesthetic through its clean lines and focus on the elemental simplicity of the northern landscape.
The artwork focuses on the act of making a mark as the primary subject, reflecting a current approach to non-representational form.
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