Graphic 150 HX
Mareike BöhmerMareike Böhmer constructs Graphic 150 HX through a lens of geometric precision, balancing structured forms with a deliberate sense of spatial harmony. This portrait-oriented composition uses clean lines and rhythmic shapes to create a visual dialogue between order and abstraction.

Graphic 150 HX
Mareike Böhmer constructs Graphic 150 HX through a lens of geometric precision, balancing structured forms with a deliberate sense of spatial harmony. This portrait-oriented composition uses clean lines and rhythmic shapes to create a visual dialogue between order and abstraction.
28 × 35 cm · about ⅙ the width of a 3-seat sofa
A meaningful share of this purchase goes directly to Mareike Böhmer.
Every Arthaus piece supports a living artist.
Art Analysis
A vertical study in geometric rhythm and structured form
In Graphic 150 HX, Böhmer explores the interplay of minimalist elements within a vertical frame. The work relies on the strength of its internal geometry, where every line and intersection serves to anchor the viewer’s eye. By focusing on the fundamental building blocks of graphic design, the artist strips away the unnecessary to reveal a core of balanced proportions and quiet strength.
The portrait orientation enhances the upward momentum of the piece, allowing the shapes to stack and breathe in a way that feels both architectural and fluid. There is a tactile quality to the arrangement, suggesting a physical construction of ideas rather than a mere flat image. The result is a grounded study in form that invites a slow, steady observation of its structural logic.
The artist uses simplified forms and a non-literal palette to convey the feeling of a city rather than its exact likeness.
The portrait orientation focuses the viewer's attention on the closeness of the subjects, heightening the sense of a private world.
Arnold employs a reduced visual vocabulary, focusing on essential shapes and a limited color palette to achieve maximum impact.
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