In this landscape study, Morgan utilizes the high contrast of black and white photography to explore the physical relationship between the soil and the soul. The central tree serves as a living monument, its branches reaching upward while its roots intermingle with the silent inhabitants of the two graves, illustrating a profound sense of interconnected nature.

The scene at Cathays Cemetery is captured with a focus on peaceful solitude, stripping away the noise of the world to reveal a space of reflection. By documenting these human-constructed environments through a lens of haunting melancholy, the work invites a deep contemplation of the cycles that govern both the forest and the graveyard.