Geometric landscape XXIV
Vitor CostaVitor Costa constructs the natural world through a rhythmic structural logic, layering oil and watercolour to find the hidden architecture within the wilderness. This portrait study translates the organic chaos of a landscape into a balanced sequence of geometric forms and soft, fluid washes.

Geometric landscape XXIV
Vitor Costa constructs the natural world through a rhythmic structural logic, layering oil and watercolour to find the hidden architecture within the wilderness. This portrait study translates the organic chaos of a landscape into a balanced sequence of geometric forms and soft, fluid washes.
28 × 35 cm · about ⅙ the width of a 3-seat sofa
A meaningful share of this purchase goes directly to Vitor Costa.
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Art Analysis
The structured rhythm of the natural horizon
In Geometric landscape XXIV, Costa explores the intersection of rigid calculation and the spontaneous flow of nature. By utilizing both the heavy body of oil paint and the translucent delicacy of watercolour, the artist builds a scene where sharp angles define the horizon while soft gradients suggest the atmospheric depth of the outdoors. The portrait orientation emphasizes the verticality of the terrain, pulling the eye upward through a calculated arrangement of shapes that mimic hills, valleys, and light play.
This illustration moves beyond mere representation to treat the landscape as a puzzle of interlocking planes. The interplay of textures creates a tactile experience, where the matte finish of the pigments grounds the abstract geometry in a recognizable sense of place. It is a quiet meditation on how we perceive the environment—not just as a vast expanse, but as a collection of distinct, harmonized fragments.
Hearn utilizes the sharp, repeating angles of crystals to create a landscape that feels both structured and wild.
The interplay of thick acrylic application and light watercolour washes creates a rich, tactile surface.
The use of a portrait orientation emphasizes the height of the bistro, guiding the viewer's gaze upward through the architectural layers.
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