Geometric landscape VI
Vitor CostaVitor Costa deconstructs the natural world into a rhythmic architecture of pigment and shape. This piece reimagines the horizon as a deliberate arrangement of sharp angles and soft washes, finding a hidden geometry within the organic wild.

Geometric landscape VI
Vitor Costa deconstructs the natural world into a rhythmic architecture of pigment and shape. This piece reimagines the horizon as a deliberate arrangement of sharp angles and soft washes, finding a hidden geometry within the organic wild.
28 × 35 cm · about ⅙ the width of a 3-seat sofa
A meaningful share of this purchase goes directly to Vitor Costa.
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Art Analysis
The structured rhythm of a paper horizon
In this portrait-oriented composition, Costa employs the fluid transparency of watercolour to define a rigid, structural landscape. By stripping away the chaotic textures of the outdoors, the artist reveals a skeletal beauty composed of intersecting planes and tonal gradients. The medium’s natural tendency to bleed is disciplined here into clean edges, creating a tension between the soft nature of the paint and the firm logic of the shapes.
The work functions as both a map and a memory of a place, where hills and valleys are translated into a language of pure abstraction. The interplay of light and shadow is handled through varying saturations of color, allowing the viewer to perceive depth through geometry rather than traditional perspective. It is a quiet, methodical exploration of how we perceive the balance of the earth.
Hearn utilizes the sharp, repeating angles of crystals to create a landscape that feels both structured and wild.
The artist utilizes the inherent clarity of the medium to build layers of light that suggest the fleeting glow of early morning.
Botanical shapes are reduced to essential gestures and color fields, moving away from realism toward a more expressive, felt experience.
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