Black and white city
Sybille SterkSybille Sterk constructs urban landscapes through a digital lens where architecture and atmosphere collide in high-contrast fragments. This piece captures a city caught in the mechanical flicker of a solar eclipse, blending sci-fi geometry with a sense of digital decay.

Black and white city
Sybille Sterk constructs urban landscapes through a digital lens where architecture and atmosphere collide in high-contrast fragments. This piece captures a city caught in the mechanical flicker of a solar eclipse, blending sci-fi geometry with a sense of digital decay.
20 × 25 cm · about ⅛ the width of a 3-seat sofa
A meaningful share of this purchase goes directly to Sybille Sterk.
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Art Analysis
The digital pulse of a city under eclipse
The composition presents a dense metropolis rendered in stark monochrome, dominated by the looming presence of a solar eclipse. Sterk uses a glitch effect to disrupt the solid forms of the buildings, suggesting a world where the digital and the physical are beginning to fray at the edges. The vertical orientation emphasizes the height of the urban silhouettes, making the celestial event feel both intimate and overwhelming.
Through a rich medley of textures and sharp angles, the artwork explores the intersection of scientific phenomena and sci-fi aesthetics. The interplay of deep shadows and harsh light creates a sense of forgotten urban spaces being momentarily illuminated by an obscured sun. It is a study of how light behaves when filtered through a distorted, technological atmosphere.
The artist uses glitch aesthetics to disrupt the traditional skull form, creating a sense of movement and technical interference.
The squared orientation and astronomical focus create a balanced, observational mood that mirrors the precision of space science.
The composition uses sharp silhouettes and textured layers to interpret the city as a complex, almost alien landscape.
The piece relies on a single-color spectrum to convey the heavy, enveloping atmosphere of a mountain fog.
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This piece is part of a wall our team put together — shown with the works chosen to sit beside it.








