Abstract Art 55
Thing Design 2Thing Design 2 builds depth through a restricted palette, layering organic forms that seem to shift and settle against one another. This composition finds its strength in the balance of heavy shadows and open space, grounding the room in a quiet, structural harmony.

Abstract Art 55
Thing Design 2 builds depth through a restricted palette, layering organic forms that seem to shift and settle against one another. This composition finds its strength in the balance of heavy shadows and open space, grounding the room in a quiet, structural harmony.
28 × 35 cm · about ⅙ the width of a 3-seat sofa
A meaningful share of this purchase goes directly to Thing Design 2.
Every Arthaus piece supports a living artist.
Art Analysis
From the artist, Thing Design 2
The Quiet Weight of Layered Monochrome Forms
In this monochromatic study, the artist explores the tension between fluid edges and dense, overlapping layers. The work relies on a stark black-and-white contrast to define its geometry, allowing the viewer to focus on the weight and placement of each individual shape. By stripping away color, the focus shifts entirely to the physical relationship between the forms and how they occupy the vertical frame.
Each element is rendered with a sense of deliberate simplicity, avoiding unnecessary detail to highlight the raw interaction of light and dark. The classic framing provides a crisp boundary for these drifting shapes, emphasizing a sense of order within the abstract arrangement. It is a piece that speaks to the power of restraint, using minimal components to create a sophisticated visual rhythm.
The artist distills the recognizable form of a sunflower into a fluid arrangement of color and light.
The use of a black and white palette emphasizes the physical volume and surface textures of the pears without the distraction of color.
The composition uses a limited palette and few elements to create a powerful, uncluttered visual impact.
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Complete the Wall
This piece is part of a wall our team put together — shown with the works chosen to sit beside it.








