Slabbinck utilizes retro imagery to construct a scene of dreamlike surrealism, where anthropomorphic desert inhabitants gather within a composition defined by sharp, dynamic perspective. The presence of deer antlers atop human-like forms introduces a layer of ambiguous visual contradiction, suggesting a narrative that is part hunting practice and part social networking.

Set against a dark gothic stage, the collage explores humanity's connection to nature through the lens of mundane everyday life. By placing these strange figures within familiar window styles and decor, the artist creates a metaphorical journey that feels both haunting and deeply rooted in a vintage aesthetic.