

OMMA
Graphic design has the power to transport the imagination through form and color.
The collections within OMMA’s work
Global Citiescapes
4 Prints · Ready to Frame
These works capture the distinct urban energy and architectural spirit of various international metropolises. — ‘Amsterdam’, ‘Berlin’, ‘Barcelona’ and ‘Tokyo’.

Pacific Rim Echoes
A collection exploring major cities and nations bordering the Pacific Ocean, unified by a subtle, cool-toned palette.

Continental Drift
These pieces represent expansive nations and continents, connected by their broad geographical scope and a unifying artistic perspective.

Americas' Pulse
Focusing on significant cities and a nation within the Americas, these works share a contemporary perspective on the region.
Works by OMMA
90 pieces
Explore by theme
Browsing all 90 works · a theme re-sorts the full catalog.
About OMMA
OMMA receives 20% of every sale
Transparent compensation, always.
Visual voice
OMMA — questions answered
Who are the creators behind OMMA?
OMMA is a collaboration between architect Julio van Mar and creative director Yv Goya, bringing fifteen years of multi-disciplinary design expertise to their work.
Where is the studio located?
The studio operates between Barcelona and Santiago, drawing influence from both European and South American design cultures.
What are the primary influences on their style?
Their work is deeply inspired by the reserved elegance of Scandinavian, Japanese, and Mediterranean arts and architecture.
What is the goal of their graphic art?
They aim to improve daily life by creating beautiful, quiet spaces and objects that use form and texture to inspire the imagination.
How does their architectural background affect their art?
Their experience in architecture and interior design informs their focus on how graphic forms and colors interact within a physical space.
See OMMA's work in your space.
Upload a room photo and we’ll show you exactly which of OMMA’s pieces belong on your wall — matched to your colors, your light, and your layout.
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