Dupuis approaches the 1979 film through a lens of speculative science fiction, treating the jungle setting not just as a backdrop but as a site of evolutionary adaptation. The vector-based composition organizes the chaos of war into a harmony of order, where stylized botanical illustrations meet the harsh realities of a post-apocalyptic world. The work functions as a thematic analysis of existential reflection, capturing the slow down movement within a high-stakes narrative.

By focusing on personalized landscape imagery, Dupuis invites a literal interpretation of the film’s sociopolitical reforms and the overwhelming power of the environment over human ambition. The graphic design elements strip away the cinematic noise to reveal the core tension between societal attitudes and the primal drive to endure. It is a study of how nature and human conflict intersect, rendered with the clean lines of a futuristic sci-fi narrative.