In Sunday Morning, Lerson utilizes the collage medium to slice through the expected noise of metropolitan life. By placing animals within the structured grid of yellow taxis and vintage street scenes, the artist creates a surreal landscape that feels both nostalgic and strange. The portrait orientation emphasizes the verticality of the city, while the classic frame anchors these illogical elements in a sense of history, suggesting a world where the wild and the mechanical occupy the same sidewalk.

The work explores the multifaceted nature of identity within a dense cultural landscape. It suggests that even amidst the heavy machinery of transportation networks and social critiques, there is room for a gentle, unexpected harmony. Lerson invites the viewer to find a rhythm in the complexity, turning a standard urban street into a space where nature and pop culture influence one another under the soft light of a quiet morning.