Flood
LersonLerson constructs surrealist collisions through the tactile medium of collage, layering fragments of the natural world against the rigid lines of human architecture. This piece captures a rush of disparate environments—from pine forests to urban skylines—pouring into a single frame to suggest a supernatural overflow of geography.
Flood
Lerson constructs surrealist collisions through the tactile medium of collage, layering fragments of the natural world against the rigid lines of human architecture. This piece captures a rush of disparate environments—from pine forests to urban skylines—pouring into a single frame to suggest a supernatural overflow of geography.
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Art Analysis
A Deluge of Disparate Worlds
Lerson uses collage to stitch together worlds that should not meet, placing jagged mountain peaks and dense pine forests alongside the rigid grid of the Manhattan skyline. The work employs dynamic perspective techniques to guide the eye through a shifting terrain that moves from southwestern deserts to historic canal waterways, suggesting a world where geography is no longer fixed but fluid.
The play of light and shadow across mirror-like surfaces adds a supernatural quality to the scene, making the various ecosystems feel as though they are dreaming of one another. By placing this rush of natural and urban elements within a classic frame, the artist captures the friction between the wild, evolving landscape and the structures we build to observe it.
The artist merges the Manhattan skyline with wild mountain ranges to create a surrealist dialogue between the city and the earth.
The piece moves through southwestern desert landscapes and forest ecosystems, treating the earth's diverse biomes as a single, flowing entity.
Reflections in mirror-like surfaces create a sense of depth and mystery, suggesting a world where nature behaves in supernatural ways.
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