The composition mimics the familiar layout of a Snellen chart, replacing the standard alphabet with rows of hand gestures that decrease in size. By utilizing the middle finger as the primary unit of measurement, the artist bridges the gap between formal graphic design and street-level irreverence. The stark black-on-white contrast emphasizes the clarity of the line work, turning a medical necessity into a playful act of rebellion.

This work explores how simplified forms can communicate complex social attitudes. The repetition of the hand anatomy creates a rhythmic pattern that draws the eye downward, inviting a closer look at a gesture that is usually meant to repel. It sits at the intersection of effective communication and contemplative psychology, asking the observer to find meaning in the spatial void between the rows.