Artist

DBM

DBM honors the history of traditional graffiti through bold typography and large-scale murals that capture the spirit of the city.

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Works by DBM

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About DBM

DBM receives 20% of every sale

Transparent compensation, always.

Founded in 1995 in New Bedford, Massachusetts, DBM (Dollars Being Made) emerged from the regional street art scenes of Boston and New York City. Led by the late graffiti writer Tomb alongside members like Backs and Osteo, the collective developed their craft under the mentorship of old-school writers such as Spy 2. Their practice is rooted in the raw energy of the streets, building a legacy through decades of active production rather than formal academic training. The group focuses on the preservation of traditional graffiti history while documenting the evolution of urban spaces. Their work spans from the Graffiti Hall of Fame in Harlem to large-scale public initiatives like Superflat NB. By blending intricate handstyles with community-focused narratives, DBM maintains a vital presence in the landscape of American aerosol art.

Visual voice

DBM is defined by a street edge aesthetic that utilizes large-scale aerosol murals and bold, intricate typography. Their work features funky handstyles and vibrant color palettes to explore themes of community identity and urban change.
Aerosol MuralsBold TypographyUrban ChangeFunky HandstylesCommunity IdentityStreet Edge Aesthetic
Good to know

DBM — questions answered

What does DBM stand for?

DBM typically stands for 'Dollars Being Made,' the name of a prominent graffiti collective founded in New Bedford in 1995.

How did the collective develop its style?

Members learned through the street art scenes of Boston and New York City, receiving mentorship from 'old school' writers like Spy 2.

What subjects are central to DBM's art?

Their work focuses on community identity, the preservation of graffiti history, and the evolution of urban environments.

Where can DBM's public murals be found?

Their work is visible at the Graffiti Hall of Fame in Harlem, on Staten Island through the Wu-Tang Clan mural, and via the Superflat NB initiative.

Has DBM's work been recognized in print?

The collective has been featured in the book 'On the Wall Posters: Street Art' and publications such as 'Burning NY' and 'Broken Windows.'

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