Summation
Ray MorganRay Morgan builds layers of acrylic with a tactile urgency, finding a balance between rigid structures and the fluid pulse of organic forms. This landscape-oriented piece functions as a visual ledger, totaling up the friction and harmony found within organized chaos.

Summation
Ray Morgan builds layers of acrylic with a tactile urgency, finding a balance between rigid structures and the fluid pulse of organic forms. This landscape-oriented piece functions as a visual ledger, totaling up the friction and harmony found within organized chaos.
A meaningful share of this purchase goes directly to Ray Morgan.
Every Arthaus piece supports a living artist.
Art Analysis
A tactile calculation of rhythm and structured disorder
Morgan’s approach to abstraction emphasizes the physicality of paint, where thick applications and textured surfaces create a sense of depth that feels both architectural and biological. In Summation, the artist navigates the space between representation and non-representation, using color variation to anchor the viewer amidst a sea of expressive marks.
The work pulses with a rhythm reminiscent of complex environments, yet it remains grounded in natural movements. By layering acrylics to build a dense, tactile surface, Morgan challenges perceptions of reality, inviting an exploration of how disparate visual elements can coalesce into a singular, resonant whole.
Grahovsky emphasizes the material presence of the medium, using visible strokes to build a sense of weight and depth within the portrait.
The artist arranges a dense collection of landmarks and activities into a cohesive, lively map that mirrors the energy of a living city.
The piece uses bold, visible brushwork and energetic marks to convey a sense of movement and emotional depth.
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