Artist

cardboardcities

Vibrant mixed-media collages that capture the fleeting textures of a dream.

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Works by cardboardcities

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About cardboardcities

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Laura "Kitty" Redburn, working under the name cardboardcities, is a Cardiff-based artist who has been refining her craft since 2010. Her practice centers on a mixed-media approach that bridges the gap between analog and digital collage. By layering intricate patterns with vibrant color palettes, she builds compositions that feel like fragments of a subconscious narrative. Redburn’s work often draws from a wide range of influences, from vintage aesthetics and fashion to the structural lines of architecture. Represented by Phosphor Art, her illustrations have appeared in publications like Creative Bloq and Baltimore Magazine. Each piece serves as a window into a dreamlike world where nature and science fiction coexist.

Visual voice

Cardboardcities is defined by a surrealist collage style that blends organic elements like animals and plants with retro-futuristic sci-fi themes. Her work uses intricate patterns and bold colors to create "snapshots from dreams" that feel both nostalgic and otherworldly.
Mixed-Media CollageVintage AestheticsSurreal NatureScience FictionIntricate Patterns
Good to know

cardboardcities — questions answered

Who is the artist behind cardboardcities?

Cardboardcities is the professional moniker of Laura "Kitty" Redburn, a visual artist and illustrator based in Cardiff, Wales.

What techniques does the artist use?

Redburn uses a mixed-media approach, blending analog and digital collage techniques to create her intricate works.

What are the recurring themes in her work?

Her art frequently features nature, animals, plants, fashion, architecture, and science fiction elements.

How long has cardboardcities been active?

Laura Redburn has been active as a professional artist and illustrator since at least 2010.

Where has her work been featured?

Her illustrations have been showcased in publications such as Creative Bloq and Baltimore Magazine.

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